A parallel life in letters — where ancient mythological traditions meet contemporary speculation, and where questions matter more than answers.
Outside the clinic, I live a second professional life as an author. My writing explores the fault lines between ancient mythological traditions and contemporary speculative fiction — asking what old stories reveal about modern identity, power, and belief.
I am drawn to complex narrative structures: stories that reward patience, that hold multiple truths simultaneously, and that resist easy resolution. The same rigour I bring to a diagnosis, I bring to a sentence.
The subcontinent's mythological canon is vast, layered, and often contradictory — which makes it the perfect raw material for fiction that refuses easy categorisation. My work draws on these traditions not as decoration but as structural logic.
"The best stories, like the best diagnoses, begin with careful listening — and end somewhere you did not expect."— Dr. Aadil Rajpari
Old stories are not relics — they are living arguments. The work asks how ancient frameworks survive contact with contemporary experience.
Who we are is inseparable from what we remember — and what we are allowed to remember. These stories interrogate the politics of personal and collective memory.
What we worship reveals what we want. The intersection of spiritual belief and political power is a recurring site of inquiry in the fiction.
The debut work is rooted in the mythological traditions of the Indian subcontinent — a story about what endures when everything else changes: dynasties, geographies, languages, even gods.
It is a speculative novel with a complex, non-linear structure. The narrative spans time without making time its subject — the concern is character, belief, and consequence.
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